Yearly Archive: 2013

A Visit from Irational (5 March 2013 at Roaming)


Heath Bunting visited Roaming Penzance for the day. He joined us in baking bread and spent the day hanging out with us and chatting about art and life. He shared some of his experience of functioning as an arts collective: He also showed us how to make string from the bark of a lime tree.

Thursday 1st August

June and July have been very busy months for us at Roaming Penzance with lots of new people dropping in so this is the first week we’ve had time to give some thought to documentation. The following musings and images of work are from three regular group members:

I came in this morning feeling tired and then got inspired by my first painting of flowers. I’m always thinking of people when I’m doing my painting – they give me inspiration. I’ve done five paintings today and I don’t even feel tired now – I was ready for bed when I came in. I’ve had a positive day today. I can see after I’ve finished a painting, wow, I can stand back and see my emotions on the paper. I feel like I’ve achieved something. I can walk out of here and hold my head up. Just using the different colours – it flows – that’s why I like watercolours. I’m not going back to bed – I’m going to go and rejoice – tell the world.

I’ve enjoyed today. I was given a book on my way in about wolves and it created inspiration for me to paint wolves on the canvas. I see wolves as great companions, they are the pathfinder – the wolf finds the path you really want to find. Be in tune with the wolf and it will help you find your path – it has magical qualities and many gifts. It can teach people how to create community and to treat your brothers and sisters as one big tribe. Everything is connected, animals and humans.

I feel I’ve been influenced just recently by some kind of influences from the past that are new to me but its just something about the present day and the art that is popular now particularly in England because there’s lots of stuff that comes in from the world and all sorts of really good stuff but some stuff that kind of sticks in my mind as to the expressing of English culture. I’m interested in this thing we have these days about gender roles because, you know, the world the way it is you have to survive by being very macho, sort of projecting a lot. I’ve been reading William Blake and he was a sort of medievalist mind but he was very ahead of his time as well. He drew on medieval and classical sources like a lot of people of that time because it was a romantic sort of allusion to the past. In a way he actually created his stories which is almost what people considered the backbone of English culture. But actually he was quite a popularist and he was creating a voice for the people. He mentions all these people of that time like Franklin and Thomas Paine and various people like that but they kind of come out of this story, which is his own rambling, visionary, prophetic story. He created a story by creating his characters and then illustrating them. Some of it’s very medieval and to do with anthropomorphism, zoomorphism, kind of creatures, and so on, woven into his paintings but a lot of it is very like modern graphic novels in a way, fantasy novels and Japanese Anime cartoons, you know fantastical larger than life and his figures have extraordinary contortions, they kind of sinuously blend in with things. Sometimes there’s flames coming out of them, it’s all very fiery, a lot of dragons. I think that’s kind of like childhood, a place for the imagination but also it’s like an idealized vision of what it is to be male and heroic and kind of macho, you know, rising up above everything and having strength, and so on, or even going through awful ordeals. He imagines these characters in all these situations and I think William Blake’s like that – very poetic, fiery. But now, I’ve just discovered Elizabeth Stanhope Forbes who lived in Newlyn and she was a little bit later than Blake and she was more concerned with nature, nature motifs and the actual day-to-day rhythms of people, women, and the emotional side of things and she used for her storytelling more natural forests and flowers and seasons, and so on, and the light, very very strong light, but very naturalistic. She had this thing where she was illustrating a different kind of fantasy, which was like the medievalist, romantic fantasy, but seen from her point of view, so they were still heroes but they were more human scale and more nature motifs. It was more nature spirits and that sort of openness to nature, and because she was connected with Newlyn woods, that’s close to here, it seems like that’s another echo of the past but it’s also English and romantic and rambling but its become more female. It’s like ladies with beautiful woven straw hats with flowers in them and things like that and chivalrous princesses and damsals, and so on. Very sweet, very true to her I think, very dreamlike but also telling the story of Arthurian times, recounting those heroes and so on but a female view of heroes. Blake’s heroes were all kind of semi-clad people with loads of muscles and extraordinary dancing energy, tumbling and becoming one with everything, which is as much an exploration in a way. I like to paint figuratively and it’s nice to feel there’s that in English culture in the past and that’s continuing to our time. There are so many
children’s books of fairy tales and also there’s a lot of graphic novels and sort of fantasy imagination. Both suggest a kind of wildness really, childlikeness. I like that and I think that’s where I might be aiming for or I might be informed by that in the way I develop my art ideas.